Wild Court: An Introduction

A young aristocrat safeguarding a terrible secret, sponsoring an archaeology graduate obsessed with angels. An all-knowing orphan worshiped by a mysterious cult. Britain’s finest example of toxic masculinity and an introverted librarian. Together with a retired demon hunter, they’ll face the apocalypse.

This is the (very short) blurb for my new urban / low fantasy book Wild Court and to say that I’m absolutely delighted to have finished the first draft is quite an understatement. I thought that it’d only been four years in the making, but looking back at my notes, it’s been closer to seven, if I disregard its very early origins.

This book started off as a dream. A very bad dream, but it essentially formed the basis of the bestiary that I wanted to play with, and sat stubbornly in my subconscious for quite a few years.

Then I took a difficult job near Holborn and took to taking long walks at lunchtime to clear my head. Although I disliked the work intensely, I loved the area. I could reach Covent Garden, the Piazza, the Royal Opera House, Waterstones and Hatchards in Piccadilly, all in my lunchtime. Then one time, I walked past Wild Court, just off Kingsway, at precisely the same time as I was wondering how on earth some of my colleagues could be so devoid of humanity and empathy, and an idea took hold.

What if it was endemic? What if empathy really was declining? There are some scientific signs and studies that say it is, but I was thinking more about it as a source of inspiration. What if empathy and kindness served a purpose? What if that decline could have potentially disastrous consequences, and what if there was an order of hidden magicians, monitoring this decline and helping to remedy minor breaches of the peace? What if said order was squirreled away not far from where I was standing, just round the corner from Belgo and Leon, and maintained training facilities in completely inconspicuous, sprawling industrial parks like those in Bracknell?

Suddenly I had more than idea, but it just so happened that we were going away on holiday the next day, so – as I do – I bought a large notebook from Paperchase and began to scribble notes. I wrote thirty-three pages of notes somewhere between London and Edinburgh, and from there, began to flesh out the storyline.

Characters seemed to fly into my head; readers of Small Places might recognise facets of Jamie about one of the MCs, but given the timeline, it’s actually the other way around: Jamie reflects Ben. I do like my characters to have comedic foils, and wanted to turn this all the way up, so we gained Matt, a loud, laddish character with twin streaks of toxic masculinity and loyalty a mile wide each. I needed someone with significant brainpower – two someone’s, actually – so we have Alice, a researcher who has dedicated her life to unravelling a mystery, and Chloe, a mysterious orphan worshipped by her own personal cult.

I changed jobs, and all seemed well, until the new role also came with its own problems, and things slowed. I went on holiday to Aberdeen, with the ambition of making it a writing holiday, but ended up doing quite the reverse; I’d been finding it harder and harder to write, and eventually simply stopped, deciding that I’d come back to the 50k words that I had down at another time. In the meantime, I wrote Parasites, and then Small Places and parts of Dusk.

Then, during the late pandemic, I felt the urge to come back to Wild Court – there was a particularly bleak section that I thought was quite fitting to where we were in time, and I scribbled down another 40k words or so, but again, pausing because of more job-related difficulties.

Finally, with yet another change of job, and the launch of Dusk out of the way, I started to blurt out entire chapters, writing 16k words over the long Jubilee weekend. I missed the celebrations, but I think it was worthwhile.

Now I’m starting the editing process. We’re getting there. I hope to bring a few excerpts when I’ve done some polishing, but for now, rest assured that there’s monsters and magic and librarians and archaeologists and snark and dad jokes and villains and eccentric millionaires and retired demon hunters and found family and stark wildernesses and forests and an all-knowing woman worshipped by her own cult and Norway and Bracknell and dick jokes. It’s been a labour of love, but I really, really love it. I hope you do too.

April – Dusk is Live!

Dusk is live!

[Full disclosure – this post contains minor hints as to what happens in Parasites]

I’m absolutely delighted that Dusk, the sequel to Parasites, is now live on the Amazon store. It’s been a fun book to work on, but for a while, I wasn’t sure if it would actually get written! The last two years of the pandemic has been a difficult time to write in, and Dusk was fairly problematic at best. Now that it’s here, I’m thrilled with it; the cover art came off brilliantly, and it all looks fantastic.  

One of the major challenges with Dusk was how to bring back – and continue – some of the themes, characters and mysteries that I’d started in Parasites. I had a number of notes for continuity from Book 1, but I certainly hadn’t planned it out the entire trilogy in depth. I needed to explore things like the unresponsive creatures that the duo finds, the continuity of the communities that Kael and Alessia come into contact with, and I also wanted to spend a lot more time exploring Lyra itself, all the while, driving the main plot forwards.

Then there were broader things to look at, like what happens when you add more resources to a resource-poor world; what do they do with these resources, and what does it do to the social and political climate of the planet? I really wanted to spend some time with the various colonies and outposts that Lyra established. What would they be like? How would the colonists behave? Would they have their own cultures? All of this gave me a pretty broad canvas to play with, and one that I’ve thoroughly enjoyed tinkering with.

However, it was pretty clear that the overall plot of the trilogy couldn’t move forwards if we spent all of our time on Lyra, so that meant splitting up the main crew. I’d already spent a bit of time writing as Slyph in Parasites, and in Dusk, we see chapters from not only Kael and Alessia, but also Slyph, Basteel and Caroline, Basteel’s partner in crime. K&A are fairly calm and happy-go-lucky in Parasites, but when the tension ratchets up, and things really matter, it’s a test of their characters – and an opportunity to explore what they’re really made of.

 Now it’s out in the world, I’m keen to know your views on it – what did you think, what did you like, what didn’t you like?

March Updates: Dusk draws closer; we return to Wild Court

We’re not far away from exciting news!

After the usual back and forth of pre-production details; front covers*, maps**, kindle- and print-formatting, checking proofs, re-checking proofs, I’m finally in a place where I’m happy with how Dusk looks in the flesh, and we’re onto the final straight. I’m trying to work out a calendar for release timing, a tour, cover reveals, merch, that kind of thing. I’m a bit stuck on merch, because a) I’m changing jobs at the moment and haven’t got a lot of mental bandwidth, and b) it’s a sci-fi novel, and I’m drawing a bit of a blank right now.

I’m really thrilled with how it’s all come together, and do hope it’s not too long before you can get your hands on a copy, digital or otherwise.

As I said previously, I’ve toyed with the idea of trying to power through with the third novel in the Navigator series, but in all likelihood, I think I’ll probably try to finish the final third of Wild Court, my long-standing urban fantasy WIP. It’s currently just north of 99,000 words, and given that it’s been at least four years in the making – closer to seven since its original inspiration – I think it’s probably time, motivation permitting.

I’m currently doing a small re-read, and it’s encouraging to really, genuinely love the first few chapters. That said, I’d also like to query this one, so it may be some time before it reaches the light of day – please, do bear with me! It’ll be worth it.

And of course, there’s also Small Places 2 to think about, but that’ll likely come after both Navigator 3 (official title pending)and Wild Court. It’ll definitely come, but I do need the final third to fall into place at some stage.

* I’m especially pleased with this one

** There’s a map!

February: Dusk is almost here!

We’re getting close.

In December, I’d been through two edits of Dusk. I’ve just finished the fifth (I think – it might be six) and am ready to declare the core manuscript finished. Editing is generally something I don’t really enjoy, and for me, is a sure-fire way to remove whatever enjoyment I take in reading (especially after the third or fourth re-read!) but I’m taking the fact that I still enjoyed parts of Dusk after the last re-read as a good sign.  

There are still a host of things to do; it needs a cover, it needs a map, it needs print formatting, the physical version will need a look over. We’ll need to sort out the details of whatever promotional stuff – tours, giveaways, gifts etc need to be sorted, and I’ve just been working out minutiae like the copyright page, the content and trigger warnings, so on and so forth. But we’re really close!

And … I’m also leaning towards the possibility of plunging on with the third book in the trilogy, rather than trying to get back to finishing Wild Court, the other urban fantasy novel I’ve been working on, on and off, for a few years now. WC (oops…) has been on/off for a while now, and although I’m making steady progress, it’s something I’d rather work on when I feel passionate about it, rather than forcing myself to finish the last 40k words.

We’ll get there.

Anyway, that’s about all the news I have at the moment – stay tuned, and we might even do a cover reveal for Dusk at some stage soon…

December: The Month I Forgot I was an Author and then Got Meaningful

As some of you might know, I switched jobs in early May, and it’s been an incredibly busy time. This month, it feels like most of the non-work things have been completely pushed out of my head because the level of busyness went up a notch. In fact, it was so busy that when I saw Chelsea’s lovely BookTube review of Small Places, I did a double take and had to remind myself that, yes, I had written that.  

Of course, it’s not been helped by the fact that I’ve been supporting another writer in editing their forthcoming book and – counter-intuitively – changing from UK English to US English, which is tough for a Brit!

So, what’s coming up? Well, Dusk is still sat in a roughly finished state, but it needs editing. I’ve done two rounds of edits, but I still feel like it’s missing some of that state of wonder that I really want to convey. Of course, when you have days when you start work at ten to eight in the morning and finish at half past ten in the evening, there’s little space for wonder, but I’m hoping that the Christmas break will be very restful and help to restore my authorial drive.

And that raises an interesting thought that occurred to me a few weeks ago. I tend to go through relatively existential phases every so often; I was quite religious until about ten years ago, parting ways after binge-reading a number of religious texts and not finding contentment with any of them, or the philosophical books I’d been reading alongside them. I’d steeled myself to there being no one over-arching meaning to life, until I realised that there was perhaps more than a little truth to Brandon Sanderson’s maxim of Journey before Destination.

After all, what if the journey itself was the meaningful part? What if you could aspire to live in a continuous state of both working towards something meaningful, but also enjoy the journey itself? Wouldn’t that be the best kind of meaning? That’s essentially where I’ve gotten to – working towards a continuous state of looking for, and being in wonder, whether that’s reading, gaming, watching films and TV, or writing, because when I’m in that state, it feels like not only a good use of time, but also that it’s contributing to something more meaningful – I feel like I’m experiencing something immensely worthwhile, and that it supports my overall journey to showing that wonder in my books as well. Obviously, this is a fairly lofty aspiration, but is certainly useful in working out what is worthwhile in terms of my free time.

Apologies for going ‘full beam’, and I hope that doesn’t make me sound like some kind of crazed monkish figure, but it’s been a relatively interesting part of my authorial journey, so I figured it was worth sharing.

Stay safe, and a very happy Christmas to you all.

October: Wild Court paused, Dusk in editing

September and October were – strangely – pretty good months for writing. I reached about 90k words, or two-thirds of the way in, to Wild Court and then paused again. I’m not quite sure why this one is being so troublesome, but it’s falling into neat thirds, with a year-long pause between the first and the second, so I really hope this isn’t the case for the second and third! That said, it did allow me to go back to Dusk, the sequel to Parasites, which I started mapping out in early 2020, just as the pandemic started.

I’ve got three different introductions to Dusk, and no clear favourite. Thankfully, the rest of the book is much less troublesome, and after a fair amount of work, it’s now sitting at just north of 105k words (about the same length as Parasites) and I can just about claim that the first draft is finished.

There’s a lot of work to be done; there are at least two parts that just don’t work – one of them is just quite flat, and the other is a plot section that needs relatively major reworking, but I’ve got my eye on them, and they’re first and second on the list of a one-page word document entitled ‘Major Edits’. Admittedly, this document does seem to incorporate minor edits as well, but I suppose I can always retitle the file when I’m done with the major stuff.

All in all, I’m fairly pleased with how it’s come together. Kael and Alessia, along with the other major car crews, embark on an important mission to launch satellites from faraway worlds, gathering intelligence on the structure of the universes, while Basteel and Slyph head across Lyra to Vulpes, Lyra’s farming city, where there may be appearances of a creature worshipped as a deity on the city-ship of Carthusian. Of course, nothing is straightforward on either the rescue mission or the journey across the surface of a damaged asteroid to reach a planet formerly inhabited by a super-evolved species of aliens… 

It’s all compounded by a new threat, a robust and malevolent species seemingly incapable of diplomatic relations, throwing Lyra’s plans into disarray.

I’m not quite sure of when it’ll all come together – I doubt it’ll be this side of New Year, but it’ll certainly be early 2022 at some stage, and I’m also quite excited by the prospect of releasing both hardback and paperback versions, now that KDP allows both, alongside ebooks, of course.

I’ll keep you posted with any details about release as we get closer to the time, but for now, that’s about all. 

September: Small Places and Wild Court

Wow. So, August was pretty wild. I’ve just about recovered from all the amazing reviews, Q&As, features, spotlights, giveaways, Instagram posts and tweets (to name but a few) throughout the month and would definitely like to say a huge THANK YOU to everyone who got involved. I’m delighted that the book has been well-received, according to Goodreads, which is fantastic.

But … well, in all honesty, I much prefer writing to promoting, and although I should really be focusing on the sequel to Parasites, Dusk, somehow I found myself picking up one of the other urban fantasy titles I started writing a few years back and eventually parked after it ground to a halt around 55k words, or about a third of the way through.

In the last month I’ve powered through another 40k words or so, and it’s about two-thirds done. Wild Court – named after the street in London where a certain secret organisation is located* – is a very different book to Small Places – a bit grittier, a bit more intense in places, and I’m thoroughly enjoying it. I’d love to share details of where I am with it, but that would involve major spoilers – the overall premise is that it’s a fantastical look at the impact of declining empathy in modern society, and follows multiple protagonists in the first person. We meet a timid librarian, a smart archaeologist hunting biblical artefacts, a cowardly millionaire, an all-knowing woman followed by a mysterious cult, and a breathtakingly terrible example of toxic masculinity, all alongside a secret organisation with an incredibly grumpy tutor and a dastardly villain.

I’m not sure when it’ll be done; I’ve slowed a little recently, but I think that the third part will be shorter than the other two, and then it’ll need editing etc – hopefully, we’ll get there by the end of the year, and then I can bounce back to writing Dusk. Sorry about this; I can’t really control what my brain wants to write, although I did get excited during all the Small Places promotion and started to plan out a sequel, so there’s about 60% of that structured somewhere on my computer.

There is no other space in my brain for other writing projects right now. Promise.  

* It’s a real street; check it out – it’s near Covent Garden.

Small Places is out!

It’s been a long trip, but we’re finally here, and I’m delighted to share the book with you. We’re on day three of the book tour with the wonderful Justine and Timy of Storytellers on Tour, and I’m incredibly grateful for all of the time you’ve all spent reading, reviewing and (hopefully!) enjoying Small Places.

If you’re new to the book, here’s the blurb – Small Places joins Jamie, a boy living in a country village, as he runs an errand for a friend of the family to collect medicine from a witch, Melusine, who lives in a hidden forest in the countryside.

Thirteen years later, strange earthquakes and storms are wracking Britain, Jamie’s parents have separated and his mother is suffering from cancer. He returns home to look after her, but receives a mysterious summons from Melusine. Figuring that if she needs him, she may be willing to help his mother, he meets with the witch, learning that the freak weather is being caused by something affecting the earth spirit, Gaia. Mel needs his help to find the source of the problems – and this means travelling to the Seelie and Unseelie Courts, hunting down clues, whilst simultaneously putting up with the irritable witch and dealing with his mum’s terminal illness.

As ever, you can see the content and trigger warnings on my site – please do consult them prior to reading, or get in touch if you have further questions.

If you’d like a review copy, please do get in touch – both the kindle and print copies are ready to be ordered, and if you’re already reading it, enjoy! 

One month until Small Places is out!

It’s only one month until Small Places is out! It seems bizarre that I started writing it in late October of 2019, almost two years ago. I wanted to spend some time talking about some of the origins of Small Places. I think I’ve mentioned before that I was on holiday in the New Forest, reading Nevernight, and wanted to write something woodland-themed. I’m very interested in shamanic practitioning, and the human connection to nature, in all its beauty and savagery, so wanted to bring a little of that to the book as well.

I’ve always enjoyed walking in the woodland, and forests have always felt like magical places to me. The stained-glass window that Jamie and Mel see is very real, and very impressive – if you’re ever near the Forest of Dean, it’s well worth a trip!

After Parasites, I felt the need to try and plan something a bit “cleverer” – I really like the Lyran adventure, but it definitely feels a little open-ended sometimes. I wanted to do something more contained, with a tighter narrative arc. As any readers of Parasites will know, I’m a big fan of multiple universes and secret places, and taking this to a fantasy setting was something I’d already considered for another (on indefinite hiatus) novel, but in a slightly different way.

I’ve also always been a fan of the ‘appearances can be deceiving’ trope, so a lot of the horrifying creatures in Small Places are not quite what they seem, and vice versa. Similarly, ever since reading the wonderful Perdido Street Station (and The Scar, which I confess to liking a little more), playing Dishonored and Terraria, I’ve been keen to include aspects of steampunk, which I hope you’ll enjoy. There are undoubtedly influences from visiting the Natural History Museum in London – and the underground route to it from South Kensington Station – as well as various underground vaults in London, including Waterloo’s Vaults on Leake St and the now defunct-Shunt club in London Bridge.

Looking back at my notes from 2019, I still can’t quite figure out where Mel came from. As a child, I grew up with the Chronicles of Narnia, and my brain tells me that the closest analogue is a well-meaning witch in a BBC series called Simon and the Witch, both of which are a long way from Mel’s personality! She’s my wife’s favourite character in the book and potentially mine as well, and I’d be very interested in telling more of her story someday. 

Any book is a huge combination of inspirations and prompts, but I do hope that if you’ve got an advance copy, you’re enjoying the book – and if you read it next month, that you also enjoy it! I’d love to hear your thoughts, so please get in touch with any questions.

Two months until Small Places is live!

It’s two months to go until Small Places is out on August 3rd! There’s been a lot of progress – the paperback copies are now finished and looking great. Most of the merch has arrived, and I’ve got a range of bookmarks, grimoire-style notebooks, witches hat lapel pins, fantasy notecards … and one steampunk scorpion to give away. Everything looks incredible, and I’m so pleased with how it’s turned out. You can see some of the content below – please excuse my amateur photography.

The tiny steampunk scorpion is probably my favourite here – it’ll be given away during a certain book tour later in August, so stay tuned for details!

I’m really delighted that review copies are now available, so if you’d like one, please let me know. I’d love to hear what you think about the book, so please contact me if you have thoughts, or would like to run a Q&A at any stage.

I’ve tried to leave plenty of time before launch – hopefully the fact that we’ve got two months until the official date will mean that there’s time for long postage delays (for some reason, Parasites took about five weeks to get to Canada, and three weeks to India) as well as time for you to get through your lengthy TBRs before August! That said, please don’t pressure yourself to speed-read – it’s more important that you enjoy the book 😊

In other news, I’m continuing to make slow progress with Dusk, although it’s always tough to split your attention between promoting one book and writing another (not to mention ‘actual work’ and life admin!) but we’re getting there. I’m feeling a little happier with how it’s working out, and hopeful that things will accelerate in future. Without giving too much away, our heroes are divided fairly early on in the book, so there are two parallel stories to follow. I’d written (and been dissatisfied with) one stream, and then started to write the other afresh – so once that’s finished, it should be faster to work with the other one and upgrade it, using some of the earlier details. Keep your fingers crossed for me, and I’ll keep this site updated with my word count etc.