What’s been happening this summer?

In a word: editing. I’m currently on the fifth (and probably final) edit of Exodus, the third and final book in the Navigator trilogy. I find editing quite difficult, but have been glad to actually enjoy re-reading Exodus so many times in a row!

I’m also heartened that there haven’t been a lot of glaring issues; it’s mostly been tightening sentences for clarity, removing unnecessary commas and so on. The number of actual proper typos, or continuity errors etc has been (hopefully) relatively low.

So, what happens next? Once I’ve finished the final edit, there’s still a fair amount to do, including:

  • I’m keen to release second editions of both Parasites and Dusk, with very minor tweaking, so these need to be re-set and released
  • The cover art for Exodus needs to be created, along with the maps for each book. I wasn’t happy with how the map looked in Dusk, so I’m going to re-commission an artist to have another go
  • Exodus also needs to be laid out for both print and kindle, and fitted into the right template
  • We’ll also have a book tour! Most book tours don’t do tours for second or third books in a trilogy, so I’m hoping we can celebrate all three books at once, with some kind of giveaway

All of this takes time, so it will be a fair bit longer before Exodus hits the shelves. Because of other commitments, each edit of Exodus has been taking about three weeks, so we definitely won’t be ready until at least the early New Year. However, in the meantime, I’ll just be waiting for people to get stuff done – and as such, can start working on either Grace and Vengeance, The Slow and Gentle Wyrd or even The Witch Lord’s Apprentice, which I’ve been looking forward to writing for some time.

 Thank you for your patience, and I hope you (eventually) enjoy Exodus as much as I do. 

What’s been going on since February?

I know, I’ve been terrible for blogging. It’s been four months, I’m sorry. All I can say is that I’m better at writing than I am at blogging / marketing / tweeting!

But it’s with great pleasure that I can announce that the first draft of the third and final book in the Navigator / Parasites trilogy, tentatively named Exodus, is finished. It was an odd book to write – I had a lot of freedom in the first book because I had a rough framework for where I wanted to go, but I could essentially make the worlds from scratch. The second had a few limitations, and a rough sense of direction, but I very much felt that we could still be exploring and experiencing the wonders of the universe.

Exodus was a lot tougher. Our heroes are on the run, up against the wall, and have a very, very narrow window for success and survival, not to mention big ambitions. They’ve got a lot riding on them, and although they’ve got some remarkable individuals on their side, they can’t pause for breath – and that’s not something that comes easily to Lyrans.

But we’re there, and I’m now starting the editing process, which isn’t wildly exciting to blog about or report on. I want to do a re-read of Parasites and Dusk to ensure good continuity – and if either of them get a tiny little sprucing up in the process, then all the better!

In other matters, one of the reasons why I’ve been quite quiet has been works on the house, which has been quite disruptive (and expensive). The house seems to have been cursed (hopefully not literally) with a number of leaks in a number of rooms, and rather than tackle them piecemeal, we’ve had major works done to correct them – which has been stressful, and often meant that I’ve not been able to write as much as I wanted to. I’m still slightly embarrassed to say that even when I had a full day to write (and only write) I barely managed 7k words. I did 4k in an afternoon at the weekend, which just goes to show the power of good mental health and the lovely Cherry Stream keyboard (scissor switches for the win!).

So I’m looking forward to bringing you all a new book soon – and then we can get onto the very exciting subjects of Grace and Vengeance, and the Slow and Gentle Wyrd, which I’ve been putting off to get Exodus done!

What’s been going on in February?

I’m very happy to say that I’ve been having a bit of a resurgence in my writing in the last month, and it’s mainly been directed at Navigator / Parasites 3. I usually find it quite hard to shift between narratives, so I’ve been doing chunks of Kael and Alessia chapters, and chunks of Basteel chapters, and I’m about 15 – 20k words further along than I was at the start of the year.

I have to be honest: this book is a slightly different one to the other two. In Parasites, our companions were exploring, and despite the difficult backdrop, I wanted a strong theme of wonder to come through the book. Kael and Alessia are explorers, discovering new and fantastic places, however dangerous they might be. In Dusk, there’s a threat, but for a great deal of the book it’s intangible, allowing us to look at new places with a more relaxed lens.

In the third novel, the Lyran people are in more immediate danger, and I don’t want to mess around with an illusion that that’s fine. In Dusk, we’re only seeing the first tentative conflicts between the Lyrans and the Tardigrades, and the Lyrans are more than able to deal with them, given their adaptability and resilience. In #3, it’s war, and Lyra is not equipped for war.

The book isn’t intended to be entirely bleak, and a great deal of it revolves around finding hope, and placing trust in friends, but there is absolutely a theme of sustained peril throughout. One of the things I’m trying very hard to get right is the old Parasites / Dusk spirit, but also bringing something new to the equation.

Either way, progress is good, and I’m hopeful that we’ll be done by the end of this year – if not before!  

What happened in the second half of 2023?!

Happy New Year! I hope you all managed to have a break over the festive season. As usual, an apology for the infrequent updates – life managed to get in the way of writing and editing in quite a significant way in the latter half of 2023, but I’m determined to make more progress in 2024, in a managed and kind way, of course.

Firstly – I’ve been doing a bit of technical tinkering over the break. Somehow, I’d managed to only buy the insecure version of my website address (http:// rather than https://) which meant that browsers occasionally redirected to a British property company! I’ve now got my SSL sorted, so there’s no redirect issue. Happy browsing!

I’ve been making steady progress on The Slow and Gentle Wyrd, which was meant to be a seasonal release at the end of last year. That definitely didn’t happen, but I’ll come back to it throughout 2024 and hopefully schedule its release for Christmas 2024. It’s a feel-good, comfy, cosy, low-stress read, and should be a little shorter than Small Places, so again, not a long or stressful read.

We’re also moving along nicely with Navigator / Parasites 3. It’s all planned out, although the actual writing and execution sometimes moves a bit differently to the plan. I often find that when I’m writing split-perspective novels, I want to continue writing from one perspective when I’m really in flow, which means a bit of hopping back and forth, cutting and pasting chapters and so on. Ultimately, it gives better continuity and flow, so I’m usually happy to go with whatever my brain commands! Mind you, there’s a lot to be done – it’s currently at 25k words, so we’re about a quarter of the way there, without any kind of editing etc. It should be finished this year, but I can’t be more specific than that.

In terms of other bits and pieces, I’ve been enjoying a number of rereads in the last few months. I’m about three quarters of the way through William Gibson’s Pattern Recognition, which is an all-time favourite of mine. I’ve also been doing a re-read of Laurell K Hamilton’s Merry Gentry series, which I never finished; the story / narrative side of things seems to evaporate around book three, but it’s all on my local library’s app, so I’m willing to give it another try! I’ve always been fascinated with modern takes on the fey / faerie, and book one is superb.

Otherwise everything has been fairly quiet – I definitely needed a bit of a rest and a break, and hopefully it’ll supercharge the months to come!

What’s been going on in July? Three new projects

I’ve been a bit lax in posting this year, but after some time off, I’m feeling a bit more determined and energised. I’ve been working on three different projects – which you can see in the ‘books’ section – but I’m delighted to be able to tell you a little bit more about them here as well.

First, we have the third (final and as-yet-unnamed) book in the Navigator series; this is the culmination of Parasites and Dusk, which sees Kael, Alessia, Basteel, Caroline and Slyph take on their biggest challenge yet. On the back-foot in the wake of the Tardigrade invasion, they attempt to rally the Lyran forces and come up with an effective plan in the face of complete disarray. As a nation of explorers, fighting is not in their nature, but there is little choice. With Basteel separated from the group by many universes, both groups attempt to re-unite before their entire population is decimated by the near-unstoppable force.

I’ve had this book planned out for a while now, but it’s been a little difficult to get going – hence my flitting between three books at the moment. I’m determined to get back into it and give the explorers the finish they deserve!

Secondly, I’m continuing to rewrite the first book I ever wrote. I’ve been toying with this for years; initially it was all in the first person, and I’d decided to rewrite it in the third. On reflection, I’d like to be truer to the spirit of the original while incorporating elements of the newer content, so I’m starting again, using some of the source material and reverting to first person.

Grace and Vengeance is a curious story, set in a modern world where the faery and humans coexist uneasily, with ‘factions’ in the middle, organisations set up to protect and mediate the effects of the fey. Over the years, the political climate has shifted, and people no longer believe that they can live in harmony with the fey. As tensions build, a beaten down schoolboy is thrown into the middle of this decades-long conflict with a group of friends, and the oncoming storm will either make or break them.

Finally, I’m also working on a fairly chilled out book, The Slow and Gentle Wyrd, which is an Alice in Wonderland-style peaceful adventure, designed to be a beautiful recharge for the winter months. I don’t know if I’ll actually have it finished by winter, but we’ll see! It sees our MC, Sam, fall through a magical door in an airport bookshop, and accompanying a boy on his rite of passage adventure of the Autumn City, encountering wonderful and magical people and places throughout. It’s sheer indulgence, very much inspired by the likes of Lewis Carroll, Clive Barker’s Abarat and Jackie Morris’ books.

And that’s it! It’s been slightly slow progress, but hopefully I’m mentally on the mend and will keep you updated on progress on all three.

Happy New Year! What’s been going on in January?

Happy New Year! I hope that you’re all doing well and enjoyed – or survived as best you could – the festive season. I had a slightly unusual break, finished a job just before Christmas and then going to the states for a family occasion, landing back in the UK on the 23rd. We had a great time, but I strongly recommend that anyone considering getting a red-eye, then dragging all of their bags across London in the middle of a train strike should strongly look at other options!

Thankfully, the rest of the break was much more restful, and I got some great books for Christmas – some of Jackie Morris’ work, which I adore, plus a good selection of non-fiction and fiction, as well as a number of old Doctor Who books that I rescued from my parents’ house and have been working my way through.

After finishing Wild Court last year, I thought I’d take a brief hiatus in the latter months, although I’m not quite sure if it was a good idea. It turns out that it’s quite easy to become discouraged and out of the habit of writing, so I’m very happy to return to ‘work’…

As much as I ever plan what I’m going to write in a year, I have to admit that my plans have changed. I started (and finished) planning a heaven / hell / humans epic fantasy last year, nominally titled The Witch-Lord’s Apprentice. It’s great fun, but it’s essentially stalled for some reason. I also wanted to continue with the Small Places duology / trilogy, but after revisiting my plans for that, I’m just not happy with how they’ve turned out, and think I need to do some serious re-thinking in the interests of being fair to Jamie, Mel and V.

This leaves me with two projects: finishing the last in the Navigator trilogy, and re-writing the first book I ever wrote, which I’ll probably do in reverse order. The latter is a low fantasy novel, where humans co-exist uneasily with the faery, and powerful groups – the faction – work to manage the faery, but are hated by the humans. The story follows a group of school friends who are sent to a research institute for their summer internships, and become embroiled in a conspiracy and political struggle between the factions that has been simmering for decades. I first wrote it in the early noughties, and really love the concept, but my writing has changed a lot since then!

I’m also going to publish Wild Court, which is a fantastical look at the impact of declining empathy in our society. In WC, empathy powers the barriers between our world and the nightmare worlds that border it, and our protagonists are dragged right into the middle of things at the worst possible time. There’s plenty more on my blog about it, and I’m delighted to be able to bring it to you this year. It’s in production, and the wheels are turning, so bear with and it’ll likely launch mid-year.

That’s about it for now, but you’ll be the first to know when things change. Until next time, take care and read well.  

Going on hiatus*

Phew.

We’re there. Kind of.

I’ve finished another two rounds of editing on Wild Court, and am pretty happy with how it looks. Of course, in my mind, that translates to ‘I alternate between warm and contented feelings about it and not knowing if it’s absolute trash and wanting to climb under a rock and hide rather than risk showing it to anyone’.

That makes for six re-reads of all 123,000 words, which is quite enough for anyone to lose sight of whether a book is any good or not, encouraging beta feedback or no. I’ve done some loose formatting to make it query-able, drafted up a synopsis and query letter and submitted it to a load of agents.

In the dream scenario, obviously, one comes back interested and we progress to trying to find a publisher. In the other scenario, I’ll have it formatted, commission some cover art, manage a book tour and sort out review copies, having it self-published on Amazon. Either way, you get to read it.  

I’m keenly aware that I’ve been doing this for a while, and it’s been ages since I’ve not had a book on the go. I’m also aware that I need to write Parasites 3 and Small Places 2, not to mention all the other concepts I’ve been throwing around, but that I’ve been doing this through a variety of stressful jobs, not to mention a pandemic. Although Parasites was only published three years ago in 2019, I started seriously writing my first book in 2011, so it’s been over a decade!

So I’m going to try taking a break, or at least, slowing down or not pressuring myself to write and edit so much. I’ve been pushing myself a bit relentlessly, at the cost of enjoying the process, so while Wild Court is being queried, I’m going to take the rest of the year off – unless I really feel like writing. I have a full-time job as well, and I’ve almost forgotten what it’s like to ‘only’ have life admin to do; writing always looms over you when you’re a writer, and I’m not keen on that feeling. 

Anyway, I hope to bring you happy news of one sort or another at some point – I’ll leap back on here if I get as much as a whisper of a full manuscript request – but in the mean time, I’m going to catch up on my gaming, my reading, and maybe put my feet up a bit.

* Isn’t ‘hiatus’ a strange word? I don’t think I’ve written it that much before. Too many vowels.

April – Dusk is Live!

Dusk is live!

[Full disclosure – this post contains minor hints as to what happens in Parasites]

I’m absolutely delighted that Dusk, the sequel to Parasites, is now live on the Amazon store. It’s been a fun book to work on, but for a while, I wasn’t sure if it would actually get written! The last two years of the pandemic has been a difficult time to write in, and Dusk was fairly problematic at best. Now that it’s here, I’m thrilled with it; the cover art came off brilliantly, and it all looks fantastic.  

One of the major challenges with Dusk was how to bring back – and continue – some of the themes, characters and mysteries that I’d started in Parasites. I had a number of notes for continuity from Book 1, but I certainly hadn’t planned it out the entire trilogy in depth. I needed to explore things like the unresponsive creatures that the duo finds, the continuity of the communities that Kael and Alessia come into contact with, and I also wanted to spend a lot more time exploring Lyra itself, all the while, driving the main plot forwards.

Then there were broader things to look at, like what happens when you add more resources to a resource-poor world; what do they do with these resources, and what does it do to the social and political climate of the planet? I really wanted to spend some time with the various colonies and outposts that Lyra established. What would they be like? How would the colonists behave? Would they have their own cultures? All of this gave me a pretty broad canvas to play with, and one that I’ve thoroughly enjoyed tinkering with.

However, it was pretty clear that the overall plot of the trilogy couldn’t move forwards if we spent all of our time on Lyra, so that meant splitting up the main crew. I’d already spent a bit of time writing as Slyph in Parasites, and in Dusk, we see chapters from not only Kael and Alessia, but also Slyph, Basteel and Caroline, Basteel’s partner in crime. K&A are fairly calm and happy-go-lucky in Parasites, but when the tension ratchets up, and things really matter, it’s a test of their characters – and an opportunity to explore what they’re really made of.

 Now it’s out in the world, I’m keen to know your views on it – what did you think, what did you like, what didn’t you like?

February: Dusk is almost here!

We’re getting close.

In December, I’d been through two edits of Dusk. I’ve just finished the fifth (I think – it might be six) and am ready to declare the core manuscript finished. Editing is generally something I don’t really enjoy, and for me, is a sure-fire way to remove whatever enjoyment I take in reading (especially after the third or fourth re-read!) but I’m taking the fact that I still enjoyed parts of Dusk after the last re-read as a good sign.  

There are still a host of things to do; it needs a cover, it needs a map, it needs print formatting, the physical version will need a look over. We’ll need to sort out the details of whatever promotional stuff – tours, giveaways, gifts etc need to be sorted, and I’ve just been working out minutiae like the copyright page, the content and trigger warnings, so on and so forth. But we’re really close!

And … I’m also leaning towards the possibility of plunging on with the third book in the trilogy, rather than trying to get back to finishing Wild Court, the other urban fantasy novel I’ve been working on, on and off, for a few years now. WC (oops…) has been on/off for a while now, and although I’m making steady progress, it’s something I’d rather work on when I feel passionate about it, rather than forcing myself to finish the last 40k words.

We’ll get there.

Anyway, that’s about all the news I have at the moment – stay tuned, and we might even do a cover reveal for Dusk at some stage soon…

October: Wild Court paused, Dusk in editing

September and October were – strangely – pretty good months for writing. I reached about 90k words, or two-thirds of the way in, to Wild Court and then paused again. I’m not quite sure why this one is being so troublesome, but it’s falling into neat thirds, with a year-long pause between the first and the second, so I really hope this isn’t the case for the second and third! That said, it did allow me to go back to Dusk, the sequel to Parasites, which I started mapping out in early 2020, just as the pandemic started.

I’ve got three different introductions to Dusk, and no clear favourite. Thankfully, the rest of the book is much less troublesome, and after a fair amount of work, it’s now sitting at just north of 105k words (about the same length as Parasites) and I can just about claim that the first draft is finished.

There’s a lot of work to be done; there are at least two parts that just don’t work – one of them is just quite flat, and the other is a plot section that needs relatively major reworking, but I’ve got my eye on them, and they’re first and second on the list of a one-page word document entitled ‘Major Edits’. Admittedly, this document does seem to incorporate minor edits as well, but I suppose I can always retitle the file when I’m done with the major stuff.

All in all, I’m fairly pleased with how it’s come together. Kael and Alessia, along with the other major car crews, embark on an important mission to launch satellites from faraway worlds, gathering intelligence on the structure of the universes, while Basteel and Slyph head across Lyra to Vulpes, Lyra’s farming city, where there may be appearances of a creature worshipped as a deity on the city-ship of Carthusian. Of course, nothing is straightforward on either the rescue mission or the journey across the surface of a damaged asteroid to reach a planet formerly inhabited by a super-evolved species of aliens… 

It’s all compounded by a new threat, a robust and malevolent species seemingly incapable of diplomatic relations, throwing Lyra’s plans into disarray.

I’m not quite sure of when it’ll all come together – I doubt it’ll be this side of New Year, but it’ll certainly be early 2022 at some stage, and I’m also quite excited by the prospect of releasing both hardback and paperback versions, now that KDP allows both, alongside ebooks, of course.

I’ll keep you posted with any details about release as we get closer to the time, but for now, that’s about all.