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Happy New Year! What’s been going on in January?

Happy New Year! I hope that you’re all doing well and enjoyed – or survived as best you could – the festive season. I had a slightly unusual break, finished a job just before Christmas and then going to the states for a family occasion, landing back in the UK on the 23rd. We had a great time, but I strongly recommend that anyone considering getting a red-eye, then dragging all of their bags across London in the middle of a train strike should strongly look at other options!

Thankfully, the rest of the break was much more restful, and I got some great books for Christmas – some of Jackie Morris’ work, which I adore, plus a good selection of non-fiction and fiction, as well as a number of old Doctor Who books that I rescued from my parents’ house and have been working my way through.

After finishing Wild Court last year, I thought I’d take a brief hiatus in the latter months, although I’m not quite sure if it was a good idea. It turns out that it’s quite easy to become discouraged and out of the habit of writing, so I’m very happy to return to ‘work’…

As much as I ever plan what I’m going to write in a year, I have to admit that my plans have changed. I started (and finished) planning a heaven / hell / humans epic fantasy last year, nominally titled The Witch-Lord’s Apprentice. It’s great fun, but it’s essentially stalled for some reason. I also wanted to continue with the Small Places duology / trilogy, but after revisiting my plans for that, I’m just not happy with how they’ve turned out, and think I need to do some serious re-thinking in the interests of being fair to Jamie, Mel and V.

This leaves me with two projects: finishing the last in the Navigator trilogy, and re-writing the first book I ever wrote, which I’ll probably do in reverse order. The latter is a low fantasy novel, where humans co-exist uneasily with the faery, and powerful groups – the faction – work to manage the faery, but are hated by the humans. The story follows a group of school friends who are sent to a research institute for their summer internships, and become embroiled in a conspiracy and political struggle between the factions that has been simmering for decades. I first wrote it in the early noughties, and really love the concept, but my writing has changed a lot since then!

I’m also going to publish Wild Court, which is a fantastical look at the impact of declining empathy in our society. In WC, empathy powers the barriers between our world and the nightmare worlds that border it, and our protagonists are dragged right into the middle of things at the worst possible time. There’s plenty more on my blog about it, and I’m delighted to be able to bring it to you this year. It’s in production, and the wheels are turning, so bear with and it’ll likely launch mid-year.

That’s about it for now, but you’ll be the first to know when things change. Until next time, take care and read well.  

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Going on hiatus*

Phew.

We’re there. Kind of.

I’ve finished another two rounds of editing on Wild Court, and am pretty happy with how it looks. Of course, in my mind, that translates to ‘I alternate between warm and contented feelings about it and not knowing if it’s absolute trash and wanting to climb under a rock and hide rather than risk showing it to anyone’.

That makes for six re-reads of all 123,000 words, which is quite enough for anyone to lose sight of whether a book is any good or not, encouraging beta feedback or no. I’ve done some loose formatting to make it query-able, drafted up a synopsis and query letter and submitted it to a load of agents.

In the dream scenario, obviously, one comes back interested and we progress to trying to find a publisher. In the other scenario, I’ll have it formatted, commission some cover art, manage a book tour and sort out review copies, having it self-published on Amazon. Either way, you get to read it.  

I’m keenly aware that I’ve been doing this for a while, and it’s been ages since I’ve not had a book on the go. I’m also aware that I need to write Parasites 3 and Small Places 2, not to mention all the other concepts I’ve been throwing around, but that I’ve been doing this through a variety of stressful jobs, not to mention a pandemic. Although Parasites was only published three years ago in 2019, I started seriously writing my first book in 2011, so it’s been over a decade!

So I’m going to try taking a break, or at least, slowing down or not pressuring myself to write and edit so much. I’ve been pushing myself a bit relentlessly, at the cost of enjoying the process, so while Wild Court is being queried, I’m going to take the rest of the year off – unless I really feel like writing. I have a full-time job as well, and I’ve almost forgotten what it’s like to ‘only’ have life admin to do; writing always looms over you when you’re a writer, and I’m not keen on that feeling. 

Anyway, I hope to bring you happy news of one sort or another at some point – I’ll leap back on here if I get as much as a whisper of a full manuscript request – but in the mean time, I’m going to catch up on my gaming, my reading, and maybe put my feet up a bit.

* Isn’t ‘hiatus’ a strange word? I don’t think I’ve written it that much before. Too many vowels.

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Wild Court: An Introduction

A young aristocrat safeguarding a terrible secret, sponsoring an archaeology graduate obsessed with angels. An all-knowing orphan worshiped by a mysterious cult. Britain’s finest example of toxic masculinity and an introverted librarian. Together with a retired demon hunter, they’ll face the apocalypse.

This is the (very short) blurb for my new urban / low fantasy book Wild Court and to say that I’m absolutely delighted to have finished the first draft is quite an understatement. I thought that it’d only been four years in the making, but looking back at my notes, it’s been closer to seven, if I disregard its very early origins.

This book started off as a dream. A very bad dream, but it essentially formed the basis of the bestiary that I wanted to play with, and sat stubbornly in my subconscious for quite a few years.

Then I took a difficult job near Holborn and took to taking long walks at lunchtime to clear my head. Although I disliked the work intensely, I loved the area. I could reach Covent Garden, the Piazza, the Royal Opera House, Waterstones and Hatchards in Piccadilly, all in my lunchtime. Then one time, I walked past Wild Court, just off Kingsway, at precisely the same time as I was wondering how on earth some of my colleagues could be so devoid of humanity and empathy, and an idea took hold.

What if it was endemic? What if empathy really was declining? There are some scientific signs and studies that say it is, but I was thinking more about it as a source of inspiration. What if empathy and kindness served a purpose? What if that decline could have potentially disastrous consequences, and what if there was an order of hidden magicians, monitoring this decline and helping to remedy minor breaches of the peace? What if said order was squirreled away not far from where I was standing, just round the corner from Belgo and Leon, and maintained training facilities in completely inconspicuous, sprawling industrial parks like those in Bracknell?

Suddenly I had more than idea, but it just so happened that we were going away on holiday the next day, so – as I do – I bought a large notebook from Paperchase and began to scribble notes. I wrote thirty-three pages of notes somewhere between London and Edinburgh, and from there, began to flesh out the storyline.

Characters seemed to fly into my head; readers of Small Places might recognise facets of Jamie about one of the MCs, but given the timeline, it’s actually the other way around: Jamie reflects Ben. I do like my characters to have comedic foils, and wanted to turn this all the way up, so we gained Matt, a loud, laddish character with twin streaks of toxic masculinity and loyalty a mile wide each. I needed someone with significant brainpower – two someone’s, actually – so we have Alice, a researcher who has dedicated her life to unravelling a mystery, and Chloe, a mysterious orphan worshipped by her own personal cult.

I changed jobs, and all seemed well, until the new role also came with its own problems, and things slowed. I went on holiday to Aberdeen, with the ambition of making it a writing holiday, but ended up doing quite the reverse; I’d been finding it harder and harder to write, and eventually simply stopped, deciding that I’d come back to the 50k words that I had down at another time. In the meantime, I wrote Parasites, and then Small Places and parts of Dusk.

Then, during the late pandemic, I felt the urge to come back to Wild Court – there was a particularly bleak section that I thought was quite fitting to where we were in time, and I scribbled down another 40k words or so, but again, pausing because of more job-related difficulties.

Finally, with yet another change of job, and the launch of Dusk out of the way, I started to blurt out entire chapters, writing 16k words over the long Jubilee weekend. I missed the celebrations, but I think it was worthwhile.

Now I’m starting the editing process. We’re getting there. I hope to bring a few excerpts when I’ve done some polishing, but for now, rest assured that there’s monsters and magic and librarians and archaeologists and snark and dad jokes and villains and eccentric millionaires and retired demon hunters and found family and stark wildernesses and forests and an all-knowing woman worshipped by her own cult and Norway and Bracknell and dick jokes. It’s been a labour of love, but I really, really love it. I hope you do too.

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Small Places is out!

It’s been a long trip, but we’re finally here, and I’m delighted to share the book with you. We’re on day three of the book tour with the wonderful Justine and Timy of Storytellers on Tour, and I’m incredibly grateful for all of the time you’ve all spent reading, reviewing and (hopefully!) enjoying Small Places.

If you’re new to the book, here’s the blurb – Small Places joins Jamie, a boy living in a country village, as he runs an errand for a friend of the family to collect medicine from a witch, Melusine, who lives in a hidden forest in the countryside.

Thirteen years later, strange earthquakes and storms are wracking Britain, Jamie’s parents have separated and his mother is suffering from cancer. He returns home to look after her, but receives a mysterious summons from Melusine. Figuring that if she needs him, she may be willing to help his mother, he meets with the witch, learning that the freak weather is being caused by something affecting the earth spirit, Gaia. Mel needs his help to find the source of the problems – and this means travelling to the Seelie and Unseelie Courts, hunting down clues, whilst simultaneously putting up with the irritable witch and dealing with his mum’s terminal illness.

As ever, you can see the content and trigger warnings on my site – please do consult them prior to reading, or get in touch if you have further questions.

If you’d like a review copy, please do get in touch – both the kindle and print copies are ready to be ordered, and if you’re already reading it, enjoy! 

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One month until Small Places is out!

It’s only one month until Small Places is out! It seems bizarre that I started writing it in late October of 2019, almost two years ago. I wanted to spend some time talking about some of the origins of Small Places. I think I’ve mentioned before that I was on holiday in the New Forest, reading Nevernight, and wanted to write something woodland-themed. I’m very interested in shamanic practitioning, and the human connection to nature, in all its beauty and savagery, so wanted to bring a little of that to the book as well.

I’ve always enjoyed walking in the woodland, and forests have always felt like magical places to me. The stained-glass window that Jamie and Mel see is very real, and very impressive – if you’re ever near the Forest of Dean, it’s well worth a trip!

After Parasites, I felt the need to try and plan something a bit “cleverer” – I really like the Lyran adventure, but it definitely feels a little open-ended sometimes. I wanted to do something more contained, with a tighter narrative arc. As any readers of Parasites will know, I’m a big fan of multiple universes and secret places, and taking this to a fantasy setting was something I’d already considered for another (on indefinite hiatus) novel, but in a slightly different way.

I’ve also always been a fan of the ‘appearances can be deceiving’ trope, so a lot of the horrifying creatures in Small Places are not quite what they seem, and vice versa. Similarly, ever since reading the wonderful Perdido Street Station (and The Scar, which I confess to liking a little more), playing Dishonored and Terraria, I’ve been keen to include aspects of steampunk, which I hope you’ll enjoy. There are undoubtedly influences from visiting the Natural History Museum in London – and the underground route to it from South Kensington Station – as well as various underground vaults in London, including Waterloo’s Vaults on Leake St and the now defunct-Shunt club in London Bridge.

Looking back at my notes from 2019, I still can’t quite figure out where Mel came from. As a child, I grew up with the Chronicles of Narnia, and my brain tells me that the closest analogue is a well-meaning witch in a BBC series called Simon and the Witch, both of which are a long way from Mel’s personality! She’s my wife’s favourite character in the book and potentially mine as well, and I’d be very interested in telling more of her story someday. 

Any book is a huge combination of inspirations and prompts, but I do hope that if you’ve got an advance copy, you’re enjoying the book – and if you read it next month, that you also enjoy it! I’d love to hear your thoughts, so please get in touch with any questions.

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Two months until Small Places is live!

It’s two months to go until Small Places is out on August 3rd! There’s been a lot of progress – the paperback copies are now finished and looking great. Most of the merch has arrived, and I’ve got a range of bookmarks, grimoire-style notebooks, witches hat lapel pins, fantasy notecards … and one steampunk scorpion to give away. Everything looks incredible, and I’m so pleased with how it’s turned out. You can see some of the content below – please excuse my amateur photography.

The tiny steampunk scorpion is probably my favourite here – it’ll be given away during a certain book tour later in August, so stay tuned for details!

I’m really delighted that review copies are now available, so if you’d like one, please let me know. I’d love to hear what you think about the book, so please contact me if you have thoughts, or would like to run a Q&A at any stage.

I’ve tried to leave plenty of time before launch – hopefully the fact that we’ve got two months until the official date will mean that there’s time for long postage delays (for some reason, Parasites took about five weeks to get to Canada, and three weeks to India) as well as time for you to get through your lengthy TBRs before August! That said, please don’t pressure yourself to speed-read – it’s more important that you enjoy the book 😊

In other news, I’m continuing to make slow progress with Dusk, although it’s always tough to split your attention between promoting one book and writing another (not to mention ‘actual work’ and life admin!) but we’re getting there. I’m feeling a little happier with how it’s working out, and hopeful that things will accelerate in future. Without giving too much away, our heroes are divided fairly early on in the book, so there are two parallel stories to follow. I’d written (and been dissatisfied with) one stream, and then started to write the other afresh – so once that’s finished, it should be faster to work with the other one and upgrade it, using some of the earlier details. Keep your fingers crossed for me, and I’ll keep this site updated with my word count etc.

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Small Places is coming!

I’m absolutely delighted to announce that Small Places, my new urban fantasy novel, is available for pre-order, ahead of its launch on Amazon on August 3rd. Small Places joins Jamie, a boy living in a country village, as he runs an errand for a friend of the family to collect medicine from a witch, Melusine, who lives in a hidden forest in the countryside.

Thirteen years later, strange earthquakes and storms are wracking Britain, Jamie’s parents have separated and his mother is suffering from cancer. He returns home to look after her, but receives a mysterious summons from Melusine. Figuring that if she needs him, she may be willing to help his mother, he meets with the witch, learning that the freak weather is being caused by something affecting the earth spirit, Gaia. Mel needs his help to find the source of the problems – and this means travelling to the Seelie and Unseelie Courts, hunting down clues, whilst simultaneously putting up with the irritable witch and dealing with his mum’s terminal illness.

It’s been an instructional (read: slightly painful) process, but I’m thrilled that it’s finally here. Looking back at the process, I finished the first draft on New Year’s Eve of 2019, and ran through preliminary edits by March … and then the pandemic happened and things *really* slowed down. Beta readers enjoyed it, but I did a relatively major re-write after my chief editor (and long-suffering partner) suggested a tweak that affected the entire book. Nonetheless, it’s a better book because of it, and thanks to the changes, we (most significantly) get to meet Jamie’s mum, which also affected a hundred and one other things throughout the book – including the ending!

As ever, you can see the content and trigger warnings on my site – please do consult them prior to reading, or get in touch if you have further questions.

If you’d like a review copy, please do get in touch – the kindle versions are ready for pre-order, and the paperbacks will be ready soon; I had a proof through today and they just need a little tweak. There’ll be a blog tour running with Storytellers on Tour from the 1st August, and merch, goodies and other bits and pieces are also in the works – so stay tuned!

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Editing is not my strong suit…

When I was a kid, I read Maggie Prince’s Memoirs of a Dangerous Alien three times straight because I couldn’t bear to leave the world it was set in. Later, I found my sister’s hardback copy of The Time Traveller’s Wife, read it and immediately set out to find a signed paperback copy and read it all again, in all its sharp, painful beauty.

Unfortunately, it turns out that reading your own book – in the name of editing, of course – four times in a row is a sure-fire way to fall out of love with it. And maybe I’ve pushed it too hard.

I was supposed to go away with some friends at the weekend, but after a long, hard week, decided that I needed some self-care. And again, of course, that’s exactly what I didn’t do, finishing a third edit of Small Places and immediately starting on a fourth, only pausing on Sunday afternoon once I’d made the hundred and fifty-eighth change.

(In fairness, there are just over 72,000 words. Messing around with a couple of hundred each time isn’t awful)

But it did occur to me as I switched my brain off to enjoy a Fast and Furious film (guilty pleasure) that it probably isn’t the nicest thing to do to myself. So I’m slowing down a little. I’ve made a list of possible agents to query, but maybe I’ll do another edit first. Perhaps it’s best to wait until I’ve stopped dreaming of line edits and woken up thinking that there’s a massive plot hole somewhere in it.

I’m fairly sure there isn’t a massive plot hole in it.

Who knows – if all the agents say no, then it’s full speed ahead with self-publishing and you could be reading this by summertime.

I think my brain needs to recharge. And I know book blogging is hard for you guys, so please, look after yourselves as well.

I will if you will?